REVIEW:
Primary Trust at Ensemble Theatre

Reviewed by: Bridget Whitford  
Date of Performance: 21.06.2025 
Three Words: Intelligent. Moving. Heartwarming 

Best Thing: Don't make me pick between the script and the acting! 

Watch if you feel like: Happy crying 

How the audience reacted: Although there are funny moments in this show, it's not a laugh out loud work. This night’s crowd was quiet but this does not mean they were not engaged! 

Lighting: Verity Hampson’s lighting design is clever, precise, and deeply atmospheric. The dynamic shifts in tone and texture helped shape the emotional rhythm of the play, while the use of video design was an excellent touch — seamlessly integrated and elevating the overall visual storytelling. 

Set/Costume: James Browne’s set and costume design was equally effective. The staging made smart use of levels, adding visual interest and depth while allowing for smooth transitions and flexibility — especially important given the shared space with The Half Life of Marie Curie, which plays beforehand. The set subtly captured the Americana essence of the play’s setting, while the costumes were character-specific, supporting the actors' transformations across multiple roles. 

Acting: The performances across the board were outstanding.  Albert Mwangi gave a nuanced and compelling lead performance; his Kenneth never tipped into cliché despite the character’s inherent optimism, and he conveyed a deep well of complexity beneath the surface. Angela Mahlatjie was a standout, showcasing impressive versatility in her many roles — from waiters to customers — while bringing real heart and vulnerability to her central performance as Corinna. Peter Kowitz brought great comedic flair and charm in his multiple roles; longtime Ensemble audiences no doubt appreciated seeing him onstage. Charles Allen gave quiet strength and honesty to the role of Bert, grounding the play’s emotional core with authenticity and care. 

Writing: It’s easy to see why Primary Trust won the Pulitzer Prize. Eboni Booth’s script is clear, purposeful, and refreshingly concise — I personally love a tight 90-minute play with no interval, and this one doesn’t waste a moment. The writing carries a moving and timely message about the importance of human connection even in the face of trauma and adversity and the quiet courage it takes to step outside our comfort zones. 

Directing: Darren Yap’s direction is, as expected, intelligent and deeply considered. He has drawn rich, textured performances from his cast and created space for all elements — lighting, music, costume, video — to serve the story in harmony. His touch is sensitive without being sentimental, letting the emotional beats land with clarity and honesty. This is another testament to his consistent strength as a director. 

Overall: A gentle but powerful piece of theatre, Primary Trust reminds us that small acts of bravery and connection can change a life. A beautifully crafted and deeply felt production. 

My review in emojis: 🎭🌇🥹👏🫶 

Diamond Rating (out of 5): 💎💎💎💎.5 

Runs until: 12 July 

Tickets can be bought at: https://www.ensemble.com.au/shows/primary-trust/